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A charismatic character of Helen Mirren from the film Teaching Mrs. Tingle USA, like flirting with forty watch online movies without full screen teacher in the film Dear Yelena Sergeevna is almost ready to kill her intrusive and impudent school students who come to her house quite unexpectedly. In this regard, M.

LaSalle and D. Howe rightly remarked that H. According to the plot a university professor who enters into a relationship with a student decides to kill one bad man mvies impunity.

Allen is a little more straightforward than usual: The author also changes his traditional sources of inspiration — instead of his favourite Ingmar Bergman he cites from A.

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But the most terrible monster — a school teacher — is described in the drama Evilenko Italy, The film is based on a real story of fotty serial killer — A.

Alas, the flirting with forty watch online movies without full screen is deprived of convincing dramatic composition though the press noted M. McDowell for his excellent acting Больше на странице, Cinematography stereotypes in Western films about school and university teachers A comparative analysis of plots, characters and ideology of Western films about school and university teachers leads to the conclusion that their media stereotypes have substantial similarity.

A content analysis of the films enables to present their basic plot schemes as follows. Some examples of film structures of Western dramas about school and university teachers Title of the film: France, Historical period, the place of action: Furnishings, household items: Methods of reality representation: A fkll couple — Jean and Suzanne work there as teachers.

Characters and their values, flirrting, clothes, physique, vocabulary, facial expressions, gestures: He is artistic, eloquent, has a pleasant fllrting. The flirting with forty watch online movies without full screen characters figuratively speaking are three year-old school students.

Arising problem: Search for solution: Jean and his wife fight against false accusations. Solution to the problem: Title of the film: Pierre Granier- Deferre. Genre variant of event representation: By all appearances, the main character is a bright personality tull is good at her subject. But gradually it turns out that she is far from the classical ideal of a dull teacher. And the principal only initially seems demanding and just… There is no strict division between the social and financial status flirting with forty watch online movies without full screen the characters.

Though her face is cut off in the photo, the history teacher falls under suspicion, but she insists that she has nothing to do with the photo in a talk with the principal. She is unlikely to be prosecuted as fulll age of consent in France is One Eight Seven. USA, Kevin Reynolds. Negative characters senior high school students are evil people, criminals. The flirting with forty watch online movies without full screen differ from each other in their social and financial status.

The positive character — the teacher is artistic, his voice is pleasant. The negative characters — senior high school students wear whatever they wish, as a rule, they are unattractive, vulgar, outrageous, often use swear words. France-Germany, But the film focuses on the love affair of the main characters instead of the educational process. All the girls wear a uniform. The positive characters are attractive and artistic; they eloquent and fligting pleasant voices.

It is interesting that the actresses Dorothea Wieck and Hertha Thiele who played the teacher and her year-old school student were the same age: After Hitler took power in Germany this scandalous melodrama was banned. William Wyler. It is light, clean and cozy here; the atmosphere in the school is almost as comfortable as at home.

The teachers are attractive and their speech is pleasant. The student-scandalmonger, on the contrary, is quite plain and her voice is unpleasant. France-Italy, Valerio Zurlini. But the film focuses on the love affair instead of the educational process.

There is a screenn difference in the financial status of the characters. He is artistic and possesses a pleasant voice. The appearance and the speech of the negative character are rather unpleasant. Some examples of film structures of Western comedies about school and university teachers Title of the film: Marc Allegret. Lyric comedy.

Both the flirting with forty watch online movies without full screen and moviee students are eloquent, artistic, having pleasant voices. Scrern negative character professor produces a favorable impression at first, but soon reveals his light-minded nature.

Finland, Aarne Flirtihg. She is slim, her clothes are official. Her speech is impressive and wkthout, her gestures are artistic, and wjthout voice is pleasant. Another positive clirting — an artist is also slender, hansome and has a pretty voice. School girls are also pretty-looking young girls, though they seem to be too anxious to meet smart-looking young men. Teaching Mrs.

Kevin Mvies. Dark Comedy. Tingle, a cruel and perfidious woman making no concessions to her students her values are authoritarianism, strict discipline and domination ; the positive though, only nominally characters are seniors. The teacher speaks plain English and has flirtign harsh xcreen. The senior students follow the fashion standards of the s. Tingle accuses the seniors of stealing the examination questions.

The students break in her house to convince her not https://granreans.gitlab.io/creditcard/flirting-meme-awkward-people-memes-tumblr-4993.html give them low grades.

Here the plot of моему dating simulators rpg games 2017 printable сами film curiously coincides with the storyline of the Soviet movie Dear Yelena Sergeevna Some examples of film structures of Western thrillers or detectives about school and university teachers Title of the film: The Substitute. Martin Donovan. The teachers look quite normal at first sight too, flirting with forty watch online movies without full screen the situation with one of the teachers turned out to be rather tangled.

There is a difference between the social and financial status of the characters. The negative character does not differ from her colleagues but then she reveals her aggressive nature. Another senior student attempts to blackmail the teacher and she kills him… Arising problem: But the teacher who fell from the roof vanishes without leaving a trace and soon begins to work as a school teacher in another American town… Title of the film: Devil in the Flesh.

Steve Cohen. But the relations between one of the teachers and a pretty-looking senior girl student turn out rather dramatic.

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The characters belong to the same social and financial status. The negative character — the girl student at first pretends to be good but later shows her aggressive nature: Italy, Director and scriptwriter: David Grieco. USSR, in the s, urban area, school.

Chikatilo The film makers paid little attention to the appearance of the Soviet school students of the s: Some examples of film structures of Western science fiction and horror films about school and university teachers Title of the film: Richard W.

Haines and Lloyd Kaufman. They use rude language, their manners and gestures are expressive. Class of Mark L. Their clothes are official. The negative characters are senior high school students who are unwilling to study and behave properly; they use rude language and offensive gestures.

Though, there are flirting with forty watch online movies without full screen small number of positive characters among the high school students. Ole Bornedal. They are good-looking, slim, polite, well-bred and have pleasant voices. The negative character is the new teacher who at first seems to be a very eccentric woman with incredible knowledge but later she reveals her aggressive nature both visual and lexical.

The images of teachers and students hold a special place in it. The self-censorship that existed practically till the s did not allow film makers to touch upon such radical aspects as violence, sex, obscene language, racial and religious problems in schools and universities.

But after the lifting of the Hays Code and the advent of the so-called sexual revolution of the s the Western screen flirting with forty watch online movies without full screen to successively exploit the topics forbidden before, thus creating new horrifying narrative moves every year.

On the other hand, the tendency for reflection on the pedagogical mission and real professional challenges involved stills remains in the Western cinematography. Such hermeneutic analysis of Western audiovisual media texts about school and university allowed the authors to integrate the structure of media stereotypes of school and university teachers in films as follows: Stereotype structure of Western films about school and university teachers Historical period, the place of action: USA, UK, France, Italy, Germany and other countries; urban area, more rarely — the countryside; school, university, educational institution of a different kind.

The school is a filthy gloomy building with intimidated teachers and impudent aggressive pupils who are often armed and take drugs typical genres: The characters often belong to different social and financial status. The teachers commonly follow the formal office dress code, though sometimes they prefer casual clothes. The positive characters teachers are in many cases eloquent, artistic and have pleasant voices. The negative characters teachers initially do not differ from their positive colleagues but sooner or later they reveal their aggressive nature, both visually and lexically.

As in flirting with forty watch online movies without full screen previous works Fedorov, Levitskaya, Gorbatkova,we rely on technologies developed by C.

Silverblatt Silverblatt, The material of our research is comprised of audiovisual media texts on the theme of school and university. The main method is character analysis. To identify the main stereotypes of characters, we have studied audiovisual media texts feature films, TV series, music videos related to the subject of the school and university.

In doing so, Guardian, for example, is likely to rely on facts, whereas articles about young people in The Daily Mail or The Sun appeal to emotions. This kind of selective media information about teenagers leads to stereotyping of their images to crime, cruelty, laziness, imbalance, flirting with forty watch online movies without full screen attitude towards elders and peers, etc.

Jupp et al. At the same time the flirting with forty watch online movies without full screen of romantic media stories about the ideal relationship of adolescents in recent years is becoming weaker Driesmans et al.

Another lopside of modern media is the emphasis on young gays and lesbians, which again gives a disproportionate impression of the percentage ratio between heterosexual and homosexual teenagers. At как сообщается здесь same time, in a certain part of the media texts, heterosexuals both adults and young are presented as conservative characters who neither accept nor support the spread of homosexual relationships Seif, It is clear that the sexist media messages perceived by the teenage audience to some extent influence the development of the personality of teenagers, and their social roles in the future.

In the part of gender analysis of media texts, researchers note Halffield, Some of the most common teenage messages are "selfie": For the record, in the Soviet cinema a naked teenage body, of course, was tabooed, and first appeared in the drama Tomorrow Was the Warwhere a high school student is featured examining her breast in front of the mirror. Alcohol consumption plays a significant role in media stereotyping of students.

In modern audiovisual media texts, young people who consume alcohol are rarely positioned negatively. As a rule, these are attractive guys and girls, whose use of alcohol in no way leads to dependence on it, on the contrary, serves as a trigger to start fun adventures and pleasures. In many TV shows, films, commercials, alcohol consumption is seen as acceptable often glamorouswhich does not cause any problems.

Moreover, studies have shown Atkinson et al, that even condemning the image of non-extreme intoxication and the associated inappropriate behavior of a teenager can still send a signal to a teenage audience that such a phenomenon is generally accepted and normal. The alcohol theme in media texts with the participation of teenagers is gender-specific: Media stereotypes of teenage images are also manifested in relation to ethnic and national characteristics.

For example, black adolescents are regularly associated with negative news and stories crime, violence, aggression, etc. As for particular national examples, we may mention the media image of a French student in American media texts: Students as positive characters, their values, ideas, clothing, vocabulary, body language, dwelling.

Positive leaders: As a rule, they come from ordinary families live in comfortable apartments or housesthey lead "average" students, organizing various charity and useful things. They study well, do not drink or smoke, do not use abusive language and, of course, oppose any drugs. They are self-confident altruists, who are accustomed to set serious often socially significant goals and achieve them male characters usually win at school academic or sports competitions, and female - in music or dance contests.

They can resist any attempt of negative influence. Flirting with forty watch online movies without full screen are fit, dressed simply, but neatly, they have nice looks and voice. Examples in Soviet cinema: Examples in Russian cinema: Examples in Western cinematography: These intelligent kids from ordinary families though they may sometimes have a single parents flirting with forty watch online movies without full screen their parents may be quite eccentric are not interested in power over people although they hope flirting with forty watch online movies without full screen their future professional success.

Usually they do not use rude language and obscene gestures. In the finale of some media texts, they are transformed as "Cinderella": ScarecrowLeaderTemptationetc. Examples in Western cinema: Average students: Goodbye, Mr.

Chips USA,Maddalena Offenders and criminals: In Western media texts such characters are often African American or Latin. They are selfish, cruel and self-confident.

Their appearance and vocabulary can be of any type, but basically they use rough vocabulary, have sharp voices and use obscene gestures. In many cases, they are defiantly dressed and have a sporty physique male characterswear a bright makeup and are slim female charactersalthough there are different options for appearance and clothing. In relation to education, there are two main options: Basically, they are teenagers from poor families in this case they often live in horrible living conditionsbut there are also characters with rich parents.

My friend, Kolka! They are usually lazy, not self-confident, possess scant knowledge and skills. Their social origin is differentiated, although for the most part these teenagers are from underprivileged families. Examples in the Russian cinema: To a greater extent these people come from wealthy white families possessing chic mansions and expensive carsare interested in power over people and sex, rather than using alcohol and drugs the latter may take тема dating.com uk women dating site women эту, but in moderate doses.

They are selfish, sarcastic, ironic and self- confident, expensive and fashionably dressed and, as a rule, handsome, speak with pleasant voices. Sometimes they can use rough vocabulary and obscene gestures. They study mostly very well, but despite excellent studies, sometimes hide secret vices and psychological manipulations.

School No. In Soviet, Russian and Western cinema stereotypes of students as positive characters can be divided into the following main groups: There are nuances, too. For example, in the Soviet cinema heirs of wealthy families were replaced by handsome egoists from the intellectual background, and there were far fewer juvenile offenders than in the American and European media texts.

In general, the analysis of stereotypes of teenage images in audiovisual media texts on the theme of the school and university shows that, despite the national, sociocultural and ideological differences, the stereotypes of these images have more similarities than differences. Films on the topic of school and university from different countries Feature films of English-speaking countries Various researches have been devoted to different aspects of English-language feature films about students.

For example, B. His analysis reflects the socio-cultural changes that took place in the British mass media including films about youth made in the second half of the 20 th century. In later periods of the cinematography, images of student acquired an increasingly negative color.

University riots and demonstrations against the war in Vietnam were presented by mass media as an activity of subversive elements that seek to completely destroy the social and moral order in the country Osgerby,p. During the s and s, active development of a new consumption society accompanied by displaying such negative youth phenomena in the British mass media as racial problems, negativism, drug addiction and juvenile delinquency contributed to creating media images of students as rather idle and negative young people.

Gradually, this image was significantly transformed: These trends can be observed both in British and American cinema that quickly and confidently took a leading position in the Western film distribution of the 20 th century.

Thus, D. James, considering the peculiarities of the American cinema in the s, emphasizes the influence of social and political events on the representation of media images: These are just some of the influential movements and social phenomena in the US that arose as a result of the diverse, ever-changing, continuous process of political and cultural activities James, All these phenomena, in some or other way, were reflected in films created in English-speaking countries.

Brown Brown, The author singles out five major social roles of teachers represented in the cinema in different periods flirting quotes to girls for women its development.

In the first four categories, according to T. But in the modern cinema the role of the teacher has changed: A striking example here is a flirting with forty watch online movies without full screen from the movie Irrational Man — Lucas, Professor of Philosophy, who has little interest in life except for his own disillusions and failures.

Korolevleva studies the theme of youth protests in the American cinema of the s and s Korosteleva, Considering these issues of American cinema in this time interval, D. In the s, an absolutely unprecedented type of hero appears in American cinema that rejects all the traits traditionally interpreted as heroic.

A study conducted by A. Later, in the s, new trends emerged in American cinema related flirting with forty watch online movies without full screen commercialization and simultaneous transformation of the youth image on the screen: In short, there was born a paradoxical effect: Considering the thematic-genre structure of an American youth film, V. These issues found reflection in the very first films about students such as, for example, Student Prince in Old Heidelberg telling about a strong romantic feeling of the Flirting with forty watch online movies without full screen prince to an ordinary barmaid; a tragic fate of a college girl-student in the drama Confessions of a Co-Ed who got pregnant by the man she was in love with, but circumstances prevented their marrying and she had to marry her fellow-student.

Another film image — Sabrina, the main character in the film Confessions of flirting with forty watch online movies without full screen Sorority Girlflirting with forty watch online movies without full screen aspired to achieve the position of a college leader by lying, cheating, blackmailing, seduction and manipulation. Later, these challenges associated with the growth of student youth were reflected in the film The Student Teacher telling about intending students; the film How I Got into College telling a story of a young man whose beloved girl inspired him to go to college with her.

According to Y. It should be noted that this topic has been exploited in English-language cinema since the early s: In fact, there are a lot of English-language films about students with disabilities, https://granreans.gitlab.io/creditcard/dating-tips-for-guys-over-50-years-images-2017-1595.html people with various physical and mental disorders.

English-language films about university: Films showing student issues of the later ss, at any rate, touched upon the theme of flirting with forty watch online movies without full screen protest and countercultural manifestations involving students. These phenomena are reflected in the films of this period as a violation of the flirting with forty watch online movies without full screen accepted norms of behavior by young people, their shocking behavior and demonstration of social independence Pretty Maids All in a Row, ; Why Shoot the Teacher?

These trends were dictated by social challenges of the time the Vietnam War, the economic crisis, the sexual revolution, etc. Sometime later, the era of avoiding acute social problems, numerous comedies and melodramas revealing relationships of young people and understanding the inner world of student youth replaced these trends French Postcards, ; Some Kind of Wonderful, ; How I Got into College,etc.

Sociocultural, ideological and religious contexts Ideology, trends, objectives, world outlook, concepts мне dating games for teens boys shoes for women for women моему these media texts authors in the sociocultural context; ideology and culture of the world depicted in media texts English-language films about students created in the ss are permeated with optimism and carelessness of student youth.

It is no coincidence that there are so many musical films and comedies among them: Speaking of the films shot in the s and s, according to D. The external attributes of the counterculture in films, books, etc. Real characters solving various professional and personal challenges replaced idealized images. Films of that period reflected the desire to reform the existing system and presented a new look at teacher-student relationships. As for gender representations, unlike films about schools, most university teachers in the films with some minor exceptions are men.

The student community is represented by both young men and flirting with forty watch online movies without full screen. The dominant ideological values presented in the films about studentship are love, friendship, mutual understanding, search for like-minded people, belief that the brightest dreams will necessarily come true.

Life of most student characters is often associated with entertainment not always within the lawlove adventures, romance, and much less attention is paid to college or university studies. The outlook of marginal representatives of the student community that often appear on the screen especially in the second half of the 20th century, as a rule, is deprived https://granreans.gitlab.io/creditcard/dating-sites-for-over-50-years-of-age-40-old-man-lyrics-582.html the desire for high life motives: If we turn to the world outlook of university teachers presented in the analyzed English- language films, their life values are focused not only on professional issues.

Structure and narration techniques in media texts Place and time of action The time frame for most English-language feature films about students corresponds to the period displayed on the screen. Action most often unfolds not only at a university, campus or college. Well-off characters have a well-organized private space: A stereotyped image читать полностью the living conditions of negative characters represents a different picture: At the same time, both positive and negative characters are often found in the same leisure places - in public gardens, youth clubs, discos, etc.

Genre modifications Genre typology of feature films about university students is represented by comedies, dramas and musical films. The later periods are characterized by a significant increase in the number of dramas and melodramas, horror films, thrillers and erotic films. Stereotyped narrative techniques of representing reality As V. In fact, very often one can define images of characters of several types in student-themed films, among which there is a positive character who is most often opposed by a sufficiently strong rival marginal, criminal, etc.

Representatives of various ethnic groups Asians, Afro-Americans, Mexicans, etc. Very often one can see an image of a benevolent and creative teacher who is opposed to a dictator educationalist. Alongside with these types of teachers we frequently meet instructors - organization men or bureaucrats on the screen; also disappointed teachers suffering from professional burnout; teachers striving to combat the existing system of education and established models of teacher-student relationship.

It is increasingly possible to meet a university teacher in the films of recent years who is not always able to resist cruelty and violence among students One Eight Seven, ; Murder The age of university teachers can be different.

Level of education: University lecturers, as a rule, have higher education degrees. The education level of other characters may be different. Social status, profession: Among them you can meet professors, flirting with forty watch online movies without full screen, judges, directors and owners of large companies, police flirting with forty watch online movies without full screen, etc.

As far as university teachers are concerned, their family life is also far from idyllic. Loneliness, disappointment or lack of mutual understanding in family life is a frequent phenomenon in the representation of a university educator image in English-language feature films. Student images shown in films of later periods flirting with forty watch online movies without full screen quite different: The vocabulary of the student community is also ambiguous: Students often prefer discussing personal relationships and their well-being to talking about education flirting with forty watch online movies without full screen. Most students are rather fit and comply with the generally accepted canons of youth, adolescence and beauty.

If there are obese characters with excess weight in the films, as a rule, they are represented as outcasts, losers or objects of mockery and jesting. The most characteristic features of the modern student community are pronounced individualism, purposefulness and aspiration for career growth. Sometimes the attainment of a goal determines the choice of any means regardless of their moral component Tina and the Professor, ; The Student,etc.

The appearance of teachers is also presented ambiguously. In the films of earlier periods the image of a university teacher was more reserved a classical costume, a strict dress, a neat hairstyle, etc.

The most typical situations are the following: Often, the character has to sort out internal contradictions, to resist the majority, or revise own views on life values Foxes, ; Just One of the Guys, ; Heathers, ; Saved by the Bell: The character goes beyond the generally accepted social framework of teaching or behaving: Solution to the problem students: Solution to the problem teachers: Far from always especially in films of the last two decades the teacher-student relationships acquire the generally accepted model of a teacher and a student.

In some cases, they acquire a romantic color or indicate a violation of moral and social standards. The hermeneutic analysis of English-language feature films about university students has enabled us to draw the conclusions that this theme has always been popular in audiovisual media texts: While the first half of the 20 th century was presented by dramas, melodramas, comedies and musical films, later on horror films, thrillers flirting with forty watch online movies without full screen science-fiction films prevailed; - representation of student life, as a rule, is based on a stereotypical depiction of reality characteristic of a particular sociocultural stage.

Changes in the social, cultural and ideological spheres are reflected, to some extent, in audiovisual media texts; - the image of a student at different stages of English-language cinematography is essentially changing: Alongside with highly professional and erudite teachers there appear exhausted and indifferent teachers on the screen; their behavior and appearance became more relaxed, their conduct sometimes does not comply with the norms of pedagogical ethics and morality; - читать далее content of English-language feature films underwent significant alterations depending on sociocultural changes: Nevertheless, the key vectors in many student- themed feature films have remained unchanged: The authors of the documentary films about school and university follow the expressive critical tradition in the British documentary cinema of the early 19 th century established by J.

Grierson — the founder of the British documentary school; they focus on the critical re-evaluation of the reforms history and the contemporary state of education in the English-speaking countries, trying to draw the public attention to some problem zones of the national education. According to G. In this respect, it is important to note that the American documentary cinema is always an open interactive platform for discussing urgent social issues, including current education-related problems.

For this purpose, many films are extensively debated in the press and on television. Besides, media audiences have an excellent opportunity to learn about the production history and content of a documentary film by visiting the internet site of its creators. Our research material comprises 92 documentary films about school and university education produced in various historical periods in the English-speaking countries UK, USA. We stick to a common understanding of a documentary film and regard it as a form of cinema art, and its material is real events and people documented on film.

Hence, we use the definition coined by A. Our research objective was to analyze and characterize the cultural and historical contexts, to define the role and value of the school and university topic in the mirror of the documentary cinema of the English-speaking countries in terms of social studies, culture studies, film studies, anthropology and media education. Труд прокладывает дорогу будущему!

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