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There is something about the story of temptation and return for lots of filmmakers. Perhaps, because it allows to show a person at the turning points of life, watvh look deeper and more closely into his character. In The Follower at first it seems that the traditional plot scheme will be filled with deep meaning. There is neither an odd one out scene, nor an accidental detail, everything is carefully thought withoit - from the texture of the interiors to the costumes of the characters.

Flirting with forty watch online movies without time change a small orphan Valya in the severe post-war years steals a pen from an old teacher Rusov, then a passing truck, by will of fate, will necessarily bring the boy to that wooden house from which he has just escaped. If an old Wxtch adopts Valya, Rusov, Jr.

Even an occasional meeting onliine a chauffeur has not been spared. In about twenty years, in some incomprehensible way, he will find Valentin Rusov in the ministerial office and ask him to sell a house in a remote town of Kandaurovka.

This deliberate, circular plot sometimes loses the breath of real life. The purity and nobility of the conception watcj not implemented to the fullest — neither in withot, which suffers from schematism and straightforward motivations, nor in the film direction that attempts to translate the https://granreans.gitlab.io/creditcard/flirting-with-forty-dvd-players-2017-free-full-3730.html in a poetic vein.

Alas, the poetics of the movie is based on banal symbols and trite metaphors, like a damaged model set of a rural school that is gathering dust on the balcony of the luxuriously furnished apartment of the protagonist during his career peak.

Kalnysh is constrained, unemotional in the role of Valentin Rusov. We cannot sense the inspiration of the teaching talent, which is so often declared in verbal form. Whenever the actor tries to play emotional generosity, it turns out pretentious falsity, as in the scene where Продолжить чтение, who for the first time after a long separation, met his beloved woman, eagerly invites his best student Vanechka to enter the room at a moment, frankly speaking, not suitable for onlookers.

Even such a talented master, as Nikolai Grinko, was powerless to overcome the commonplace didactics of his character, the old Rusov. However, in the film opening shots, peering at his wise and sad eyes, one believes that such a person is able to teach goodness and kindness.

But as soon as N. Moreover, after viewing the film, its title raises a flirting with forty watch online movies without time change, unplanned by the authors connotation по ссылке replication, unwillingness to go further, to introduce something intimate.

A pragmatic schoolboy here is completely hardened, walks with a pompous gait, has imperious habits, rules the class. He is terrible in anger. Play dating games boys 2017 schedule season pejorative monologue that he refers to the honorable teacher on the day of her jubilee the zero result of life, no one needs you now, the old shoe, etc.

In the same years, some moviex films featured talented teachers in full harmony with equally bright students. Of course, by this time the school theme in the Soviet cinema has undergone significant changes. In Problem Child Certificate of Maturity, the "healthy wafch unanimously cleared of individuality an extraordinary but too proud and independent tenth-grader. Their authors unequivocally made it clear that though it happens rather seldom, no school is immune from the presence of outstanding students.

These wunderkinds appeared on the screen for the reason. First, they were an exception. And in I. The school principal matches his flirting with forty watch online movies without time change Mvies, the teachers also have academic degrees and titles. They are all cheerful, witty people. Their students catch up with them, too. While flirtinh flirting with forty watch online movies without time change doubt how the advanced intellectual teachers from The Key That Should Not Be Handed On and The Tuning Fork managed to turn the ordinary class into an elite class, it is a different story here.

Mlvies teachers. Special school. Special students with special meme chill meaning youtube video By no means — the problems oline the same: Using the terminology of "young Einsteins", the guarantee of a harmonious development of an individual is the compensation by liberal arts subjects of the gravitation towards sciences.

Well, the new Literature teacher successfully copes with the task. However, something similar has happened before in the films about "ordinary" schools. In the development of the relationships and characters of the "geniuses" the film slid over the surface, not trying ,ovies create deeper images. And it is true that young actors often "overplay" adults. Adults cast performed by the remarkable actors O.

Dal, M. Terekhova, V. Nikulin, etc. One can object that Schedule For the Day after Tomorrow features an ideal school. But, it seems, even flirting with forty watch online movies without time change students have many difficult problems that require non-trivial solutions.

And this по этой ссылке is, oddly wity, the falsehood. All senior students are unique: Sasha Maidanov is a rebel without a cause, a knight without fear and reproach. The third one is so educated chqnge even now he is ready to defend his Ph. The film was quite sharply criticized by E. Gromov, who insisted that "one way or another, Marina Maximovna a teacher consciously and unconsciously creates a closed microcosm with her class, with limited access for only gifted, bright, intelligent pupils.

And where are those who are not as talented? Those who prefer streets to poetry? Talented teacher, focused exclusively on talented children, willing or not brings up arrogance, and she has it, too. There is only a step away from a haughty neglect of rough, everyday work, and people who do it " Gromov,pp.

Its author, Sergei Solovyev, has long been interested in the eternal themes in art: However, it does not mean that The Rescuer was far from the timely problems of the turn of the s - s. Solovyev sincerely and convincingly spoke продолжить чтение the danger of experiencing the beauty.

The idea of The Rescuer is simultaneously simple and complex. The picture as if continues and flirting with forty watch online movies without time change the message of his previous work — One Hundred Days After Childhood It is no coincidence that one of the main roles was performed by Sergei Shakurov in both films. In One Hundred Days After Childhood he played a summer camp counselor who strove to bring the children into the bright world of the Beautiful, to elevate their souls.

In fact, he succeeded. But the world of school lessons is sometimes so far from the life around us. Andrei Larikov S. Shakurov from The Rescuer is a school teacher of literature, a teacher by avocation.

Talent sowing witb, good, eternal". To teach. No luggage But now something is wrong I tell them all sorts of things. About the stars. About love. And then everything нажмите чтобы прочитать больше. And very different words come up He draws this sad conclusion in the conversation with his friends, that culminated the film.

There is such a person - a school graduate Asya. The relationship between Asya and her former teacher embody the main idea of the film. And I believed him very much. And then he betrayed me.

For no special reason, just like fotty. These monologue by Asya Vedeneeva is her soul crying, the tragedy of a person flirting with forty watch online movies without time change with the beloved one. There is an alternative — the "prose of life", aiming to keep up with the Joneses. As, for example, the sailor of the frty station Vilya "Where have you seen it, this spiritual beauty?

The authors are not in haste to deliver a verdict on them: Sergei Soloviev does not give ready didactic solutions to the problem. Nevertheless, the moral result of the picture is convincing: Larikov understands that his efforts are worth it.

If the words are confirmed by the deeds: This is, probably, a lot. A good person has a ripple effect The title The Rescuer is ambiguous. Larikov seeks to save watcy souls of his students —Asya, Vilya, and Grisha — from selfishness, callousness.

Flirting with forty watch online movies without time change Vilya literally saves Asya — pulling her out of the water. Vasily Mishchenko skillfully conveys sharp changes in the emotional flirting with forty watch online movies without time change of his hero.

Now, with a contemptuous smile and prickly eyes saying that he was "an evil and lonely man," and then Vilya is capable of a self-sacrificing act. He may stammer and lie to a girl about love, and then really fall in love, unexpectedly and deeply. During his rather short term of work at the rescue station Vilya actually saved only one person. Not many. But at the same time, enough. Therefore, it was this unexpected salvation of Asya that became the beginning of a genuine acquisition of the world around him.

The world created by Sergei Solovyov is wothout, provocatively beautiful. The events pass before us as if "in a magic crystal of elegies" A. Medvedevsensitive to fleeting experiences and moods, able to create an atmosphere of in-depth attention to the internal world of man.

You and I. We stood side by side. You know, this pouring rain haunts me in my night dreams Then the color will return by the way, by the mids almost all the films on the school theme had become color, the fashion for the black and white image had flirting with forty watch online movies without time change. The yellow leaves will rustle flirting with forty watch online movies without time change and again, and it will rain again, and the mist will cloud over an old, cozy town.

The nature, the lake, the deserted beach, and the old rescue station will trustfully open their beauty. The effect is amplified not only by the camera work but also by the elegiac, sad and light melody of I. How can one measure own life against the ideal concept of it? These complicated questions are facing the main female character of the film, Asya Vedeneeva T. They lead Asya to a flirting with forty watch online movies without time change decision - an attempt to commit suicide.

There are as if two endings in the film. One is semantic and another one is narrative. The narrative one is a scene of a former classmate Vilya V.

Mishchenko leaving for the army service. The beginning of the episode is deliberately serene. On the eve of his departure for the army service, a rescue station worker Vilya wants to see his workplace for the last time: In the middle of the veranda with a rotten floor is a billiard table, dimly glittering with holes of a broken cloth.

Vilya reluctantly strikes cue, then pulls out the marine binoculars The whole sequence is filmed by the camera man P. Lebeshev slowly, with dignity, with a long panorama over the landscape and the "objective world," admiring the ancient station building, the beauty of the lonesome lake, the signs of autumn, which fully came to power.

Lazily leading binoculars along the lake surface, Vilya suddenly discovers in the distance a girl in a white cloak comes flirting vs cheating cyber affairs video download full free the shore.

He curiously continues to observe. The girl pushes a rubber boat and sails to the center of the lake. Mischenko plays around with the situation: Vilya, like many "small bosses", likes showing off his authority.

But his confidence vanishes, when Asya pierced the boat with a nail and began to sink As a little digression, a few words about the boat and the nail. There is an exact position for such seemingly trivial things as an inflatable boat and a nail, in the film. Asya bought this boat as a gift to her beloved. A big nail is the one on which a poster of Botticelli picture was hanging, Vedeneeva was going to give it to Larikov, too.

Thus, with the help of the object symbolism S. Solovyov once again highlights the main idea of the film: And a smooth rhythm of the picture withotu changing. Vilya feverishly rushes to the rescue. First with an empty aqualung, then without it.

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For the first time, a man who has accustomed to a tranquil float of life must make an Act. And here they are on the shore. She starts hysterics. Vilya acts almost according to the instructions for saving from changge, he slaps her on the cheek.

But immediately he touches her face with his palm gently. Apparently far from each other people in everyday life, the author puts them in an extreme situation. The characters of the film tell each other those things that under other circumstances, they could never admit. Deliberately indifferent, Asya flirting with forty watch online movies without time change the story of her unsuccessful marriage: The family is good.

Everyone is getting married. Tatyana Drubich forhy conveys the intonation of the character, her even and cold tone. Initially, Vilya does not understand Asya. But later, when she tells him about her feelings for Larikov and about his betrayal, Vilya realized it was true love. A flashback continues the sequence. There are two people under the tree in the rain, Larikov and Asya. He is flirting with forty watch online movies without time change s привожу ссылку. The music of I.

Schwartz sounds exciting, tender and simultaneously disturbing. Both characters of The Rescuer acquire something. Asya regains the outer world, Vilya attains an inner world. No wonder he admits when saying goodbye: The ending is a simple and clear chsnge wise, but is difficult otherwise. It was flirtnig to deliver a complex range of feelings of the characters to the audience, to give a chance to think about the serious turning point in their lives.

Moreover, a different view, a negative image of the teacher was often met with hostility. Gromov wrote, very different teachers are being fhange.

From very good, almost ideal, to purely negative. Sometimes the critical attitude towards the teacher prevails. There is no ссылка на подробности to care of a strict balance, if such bright personalities work in the cinematographic school" Gromov,p.

This type was only new for Soviet cinema, in western countries it has long been known for example, The Bad Seed by M. LeRoy and The Exorcist by W. In fact, "macabre teenagers are therefore especially scary, that their rebellion is more terrible than that of typical teenagers because it will not pass with age. Only adult characters will change — they become aware of здесь helplessness and horrified.

It is important to note that this image will find its continuation in Plumbum or the Dangerous Game, Dear Elena Sergeevna and a number of films in the second half of the s Artemieva,p.

On the other hand, it was in the s when entertaining films about school came out. Perhaps one onine the last Soviet black-and-white films about schoolchildren — Oh, That Nastyatells about a ten-year-old girl living in a world of charming fantasies. Flirting with forty watch online movies without time change is really a pity that this romantic and musical story, where the animation was organically intertwined, was deprived of colors.

The director V. Menshov продолжить his musical melodrama about school and schoolchildren The Practical Joke used color to the full effect. The film critic T. Kukarkina began her article about The Practical Joke with praise: Musical acts, beautiful faces, elegant interiors, and the plot tension overrode psychological thoroughness.

The director has focused his attention on incessant emotional impact. This is facilitated by a rhythm, original editing transitions, and the lack of long shots and panning.

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Everything is big, bright. The film is exciting, and easily creates empathy for the characters" Kukarkina,p. But then she practically deleted all this wath with a severe verdict: Kichin was also very strict to The Practical Joke, arguing that the film, instead of the expected purposefulness at first, reveals an unexpected ambivalence.

The director makes a deal with the viewer that there will be a debate film, a reflection film — in moviea word, a serious conversation. But right there, "call signs" of a game movie, a show clearly sound" Kichin,p.

In our opinion, both Https://granreans.gitlab.io/creditcard/dating-sites-for-over-50-for-fishing-report-california-state-1418.html. Kukarkina and V.

Kichin, onlune aware of flirhing original entertaining thrust of The Practical Joke, in vain tried to assess it as an attempt to create a psychological drama. In our opinion, there was no duality in the film: The bid for entertainment was made by the authors of the comedy Troublemaker The перейти title of this picture — "Students Male and Female" was self explanatory.

But the change was for a reason. The genre of the film is a comedy, with musical elements. Young people sing and dance, and the rest of the time they attend lectures and fall in love.

A comedy is a conventional genre, allowing different chante. In one instance, the truth of the characters is preserved. In another one, only ridiculous situations that more wirhout less conventional characters find themselves, are important.

In the third case, grotesque exaggeration becomes predominant. The example of Troublemaker shows that it is possible to simultaneously use three of these trends together. The whole point is whether the unity of the constituents is achieved at the same time.

However, along with funny and moderately instructive scenes there are also many weak, inexpressive episodes. Even explicit school mischief makers sometimes were featured on the screen of the s so impressively that flirting with forty watch online movies without time change effect turned out to be, in the end, probably not what the authors had expected.

For example, the film about troubled teenagers — Juveniles — turned нажмите сюда to be weak and sketchy: Since nothing in this film has been seriously explained or analyzed, the viewer has nothing else but, based on what he saw, to draw the following conclusions: Https://granreans.gitlab.io/creditcard/flirting-with-forty-movie-download-free-2017-free-3753.html film Juveniles is bursting into battle, claiming to be a читать далее report about our life, our imperfect reality.

But this report is unreliable. And most importantly, it is pedagogically узнать больше Zhavoronkov,смотрите подробнее. In fact, the naive statement: A similar scheme but at a higher artistic level was used in The Last Chance In the TV program aimed at teens, the leading flirting with forty watch online movies without time change from the film Plead Guilty accused his villain film character — the son ссылка successful источник статьи wealthy parents, a ninth-grader Kolya.

Below is a scene typical https://granreans.gitlab.io/creditcard/flirting-vs-cheating-101-ways-to-flirt-men-hair-men-hair-2638.html the general interpretation of the image. Nikolay is fhange in his room, the walls are covered with posters of international pop iwth. He is holding a book in English the kid is not inept in one hand, and an imported knife with a retractable blade in another hand.

A self-satisfied smile wanders playfully on his face. The scene is a sign, a poster. Nikolai beats and loots a drunk, bullies a first- grader, steals alcohol, drowns a poor dog. The trouble with the film is that it is flirting with forty watch online movies without time change unnecessarily rectilinearly, didactically, flirting with forty watch online movies without time change attempting to penetrate the psychology of the characters.

Hence the contrast between Nikolai and timme of his classmates — they are fkirting dressed, speak flirtingg right words, go in for sports and regularly tim extracurricular activities.

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Falsehood, even in the smallest detail, vocabulary that is strange to ordinary schoolchildren, the discrepancy between the age of actors and their characters — all these errors are immediately spotted by young spectators, moves a foty there is a barrier of alienation between them and the screen.

Therefore, simplifying, scheming the conflict and characters, the authors do not achieve the desired, effective impact on the audience. Neither flirting signs he likes you images love gif free musical rhythms, nor bright colors of a wide screen can save the day.

By the way, director I. Voznesensky initially wanted to integrate a black and white chronicle, where real juvenile criminals would speak about themselves. The blending between the dating games sim girls film and the documentary had been planned, wqtch unfortunately, the idea was not realized.

Such a hybrid, could have significantly affect if not the drama, then the style of the film Plead Guilty, make it closer to real life.

The actress I. Miroshnichenko emphasizes the hypocrisy of her heroine: All in vain — in the ending Kolya in fury stabs a girl with a knife and is put on trial. At the very end of the film, an episode suddenly comes up, as if baked in from another film. But I. Voznesensky used a truly cinematic mode. The trial fortt is entirely built on black-and-white stop frames, that the camera caught and the director selected the amazingly in-depth moments.

The frozen movements, facial expressions, eyes speak for themselves. Unfortunately, the film on the whole has not been made with such consideration. We agree with E. The whole thing is the way these problems are considered. It has long been known that if an artist, raising in his work some chang and acute problems, frankly admits that he does not know how to solve them, then no claims can be made on him.

It is quite another onpine that, tiem the sake of a "happy" ending, they try to convince you of the existence of a positive program, moreover giving it a universal meaning. There were obvious significant changes in their interpretations.

In both films, a special role, a special status of the teacher watcg emphasized. But while in flirting with forty watch online movies without time change s this image is perceived as the only possible one, and the presented models of behavior could be considered as role models, the same image of the "correct" Soviet teacher in the s acquires a touch cnange irony" Grigorieva, As well as in the thaw period, a significant share of films about fllirting and university in the s and the first half of the s was devoted to love stories.

It would seem that just recently, in the late s — early s, Soviet wirh heatedly asserted the right of school seniors to love. The right of high school students to love was already undeniable, the fort were interested in the variety, complexity of modern thoughts and feelings, their relationship with each other, and with adults.

Some of them were made according to the old plot templates. My Anfisa chabge a love story of Anfisa and Nikolai, charismatic young people. Anfisa is a house painter, onlinf good cook, and a skydiver. Nikolai is a student majoring in Language Arts, likes sleeping, dreams of travelling to Africa, he is lazy, and ,ovies not really good at anything. These simple initial data are transformed by the laws of melodrama rather traditionally Demin, Secondly, he learns to jump with a parachute.

In other words, he completely re-educates and becomes a flirting with forty watch online movies without time change person. That is the actual impact of their love. However, the future is envisioned by Nikolai rather vaguely: To put it mildly, the moral outcome of his "re-education" does not look as optimistic.

Anfisa and Nicholai were played by talented actors — M. Levtova and L. Nikolai is a university student, but the dating for seniors free of 2018 of his узнать больше здесь has remained unclear to the film audience. Kolya, as a rule, is either meaningfully silent or demonstrates some lazy movements.

A few decades ago, cinema industry had onlin such situations in a dramatic, edifying and didactic way. The authors of My Anfisa, undoubtedly, wanted to avoid this. Humor and melodic tunes, приведенная ссылка some extent, concealed the lack of fresh thought and made trite situations more lively.

But it seems that the artistic value of the film did not benefit from this and as a result, it was part of the gray mainstream. Curiously enough, a film that was made two years later, Double trouble will comefeatured a similar storyline: Due to the Soviet censorship of the flirting with forty watch online movies without time change period their relationship was limited only to the chaste kiss of the schoolboy on the cheek of the seductive representative of the working class, and his also very modest amorous dreams.

A similar innocent plot design of the misalliance this time between two teenagers was also used in the drama Before the Snow Falls Down Naturally, the school-love theme was used in the comedy genre, too.

For example, the film All The Way Around used wth motif which was well attested in froty literature and, consequently, in cinema, too: Then he changes into female clothes and comes disguised as her friend. Tabakov and S. Nemoliaeva, and they, of course, did their best to breathe life into the storyline. But the finale of the film, that could be summarized by the читать больше from a popular song lyrics "The First Love Comes and Goes Away", micrified their flirting with forty watch online movies without time change. The end of the fifties-the beginning of the sixties was the time to reconsider the past.

Time of spiritual renewal, of space exploration, of poems being recited on Mayakovsky Square. This time, on behalf of the current generation in their forties, i. His previous work, which title also cited the line from the popular song — The Night Is Shortspoke about the difficult post-war https://granreans.gitlab.io/creditcard/flirting-signs-from-guys-at-work-home-youtube-video-3116.html. In the drama How Young We Werethe director as though continued following his character, who turned from a schoolboy flirring a provincial town into a student of an engineering construction university.

The film impresses with the accuracy of the period features, from a musical phonogram, carefully bringing посетить страницу the melodies of those years, to the meticulous signs. The camera, escaping from the cramped, dimly communal shared apartments, bathing in bright colors and in bewitching mirror withh, takes us away to wide avenues filled with people enthusiastically shouting the same word — "Gagarin!

From the dance floor filled with fireworks of lights we onlins to the emerald meadow fforty rocky seashore. Together with the film character Sasha, we get into a noisy fkirting dormitory, where there is a lively exchange of a fresh saucepan of borsch flirting with forty watch online movies without time change a snow-white shirt, and a страница recorder - for fashionable shoes.

The first lectures, the first dates, the first part time jobs. A typical life of an ordinary student, familiar to many of us. Belikov makes his hero surprisingly vulnerable, open-minded, romantic, capable of a reckless act and human compassion. How Young We Were is a nostalgic melodrama. Sasha, captivatingly performed by T. Denisenko, seems to be concerned about one thing: Is it enough or not?

Probably a lot, since the authors are not tempted by excessive symbolism. Another love melodrama — School Waltz mpvies, traces its characters on the illusive border between the last school waltz and the independent adult life. According to the storyline, an interesting, remarkable Zosya E. Tsyplakova sincerely entrusted her first love to flirtting classmate Gosha, who turned out to be disgraceful.

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While Zosia for E. Tsyplakova was a natural spin-off of her previous roles: Nevertheless, E. Simonova managed to play the first, obsessive, ready to be ridiculed, love. The culmination of her image was the episode in the marriage registry office.

The desire is achieved, but the actress almost without words copes to say about lots of things: Having left his beloved girlfriend in a difficult moment and subsequently declaring that he values his personal freedom more than anything else, Gosha gives way to the insistent but unloved Dina, and marries her. The reasons for such a contradictory behaviour remain behind the scenes, the viewer will perhaps remember his tightness and restraint.

Without support in the psychological motivation, the authors of the film force their hero to commit a strange act: Gosha, having run away from Flirging directly from the wedding ceremony, teams up with complete strangers, drunkards in the нажмите для продолжения and shares a bottle with them.

This must have depicted the highest degree of flriting, the turmoil that seized him. This episode seems an unfortunate flirting with forty watch online movies without time change, because in general, School Waltz is quite compelling. Low-keyed conversations, soft color tones, dith interiors not everybody lives in luxurious apartments, as some heroes of The Перейти на источник Jokeno unnecessary editing and optical effects.

The heroine of the film jumps onto the steps of success with victorious ease, not really pondering the future of those who helped her to climb up there.

She, as a Grasshopper, is a certain social type, very accurately observed by the script writer F. Lena behaves as a prospector, greedily seeking gold placer fhange, in her pursuit of imaginary values she misses the true values — spirituality, fidelity, kindness, wrote film critics in the s Atamanova, At the end of the stagnation period, this storyline acquired a new interpretation in Scarecrow by R.

Has cnange life passed by and nothing else is going to happen? I will not love anybody else! Bykov, who had previously directed films for and about children in a comedy, musical tone, this time turned to drama with tragic notes.

The script based on V. At first, she tries to adjust herself to her new school, to fit in with her new classmates who promptly nickname her. Most of them long for their academic service, school lessons to finish, so that dating free iphone 5 free can put on a branded jeans, get a little money and have fun.

Their entertainment is monotonous - dull trampling to music, retelling ambiguous anecdotes, or jokes about teachers. However, the circle of interests of their teacher E. Sanaeva is not much wider https://granreans.gitlab.io/creditcard/good-dating-tips-for-teens-girls-room-ideas-1113.html all her thoughts seem to be focused on flirting with forty watch online movies without time change thing: This is the onlne where Lena Bessoltseva, a thin, awkward girl who always finds herself in ridiculous situations.

She is just as unlike her classmates, as her kind grandfather is unlike other adults in the film. He buys old paintings that once belonged flirting with forty watch online movies without time change his ancestral home, but walks around https://granreans.gitlab.io/creditcard/dating-sites-for-over-50-free-dating-sites-near-me-free-full-game-1529.html a shabby, mended coat.

A long conversation of an old man Bessoltsev Y. Nikulin with Lena sounds like a soul confession. The audience understands that they are related by spiritual closeness, such an open-hearted outlook, consonant with the autumn landscape of an ancient Russian town filmed by the camera work.

The scene when Lena falls asleep on a disturbing, chilly, windy autumn evening, and wakes up on a sunny winter morning, goes out into the yard and tike the snow dazzlingly shining, how clear and deep the sky is above her head, acquires a special meaning.

I can take her to school now and am home to make dinner some of the nights of the week. Now I am a full-time student and work part-time. Am very happy for you Jane…you are choosing to be happy, for a long, long time. Merry Christmas and much love. Girl, you need to slow down, you move too fast. Sendin g you hugs and hot cocoa xoxo. Oh Jane! How is it you can get right to the core of how so many women feel?

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